Meeting of art historians and experts in Tuscan historic gardens in Villa le Barone

December 16, 2017  |  Culture and Art, Florence  |  Comments Off on Meeting of art historians and experts in Tuscan historic gardens in Villa le Barone

Villa Guicciardini Corsi Salviati Sesto Fiorentino Tuscany

A Meeting of art historians and experts in Tuscan historic gardens was held at Villa le Barone to take stock of their research on the historic Villa Guicciardini Corsi Salviati in Sesto Fiorentino, near Florence. Villa le Barone is indeed an ideal place to organize small group meetings.

12 art historians and experts from historic gardens gathered at Villa le Barone at the end of October to present the state of their research on the historic garden of Villa Guicciardini Corsi Salviati, on the statues that adorn it and on the frescoes and paintings inside the Villa. Luisa Capodieci, lecturer in the history of modern art at the University Paris 1 Panthéon-Sorbonne, and Maria Grazia Messina, Professor of History of Contemporary Art at the University of Florence, coordinate this team of researchers whose goal is to write a monograph on various aspects of the Villa and its garden.

The results of this work will, among other things, make it possible to highlight, on the basis of the case of Villa Corsi Salviati, the problems related to the restoration and conservation of properties that are part of the Association of Italian Historic Residences (ADSI, Associazione Dimore Storiche Italiane) and prepare a monograph on the history of the Villa and its garden which will also be a manual of means of action for the use of garden owners and historic properties. Andrea Todorow, advisor of ADSI (Tuscany), indicated the support of ADSI for this project.

Grotesque Studiolo Villa Guicciardini Corsi Salviati Sesto Fiorentino Tuscany

Piero Tiano, researcher at the National Research Center and Alberto Cosciani presented their work, a light restoration of some garden statues, without using biocides.

Giorgio Galletti, responsible for the conservation and restoration of many Italian historical gardens (Boboli, Poggio a Caiano, Castello …) pointed out that many artists in the service of Cosimo de Medici have worked in the garden. This one was later transformed by Bardo Corsi, then Giulio Guicciardini Corsi Salviati at the end of the 19th century.

Claudia Bucelli (Professor at the New York University in Florence) detailed and illustrated this role in her presentation and photographic projections.
Botanist Cristina Giordano spoke about the friendship between the famous botanist and ethnologist Odoardo Beccari and Bardo Corsi, Giulio’s father, at the end of the 19th century. Bardo has created at Villa de Sesto one of the first horticultural establishments of exotic pantes in Tuscany and won various awards in international exhibitions.

Luisa Capodieci then presented his work on the grotesques of the sixteenth century, with Eros and Psyche represented in the center of the vault, which adorn the studiolo of the Villa.

Stefania Petrillo, Professor at the University of Perugia, presented the state of his research on the frescoes of the 19th century representing the 4 elements, realized in the big living room of the Villa by Eugenio Agneni, painter friend of the Corsi Salviati family.

Laura Santi, PhD student in History of Photography at the University of Florence, presented the albums that contain the 9000 photographs of Giulio Guiccardini Corsi Salviati, which testify to life in Sesto and in the Maremma where Giulio had a property.

Finally, Antonio Mazzinghi, head of the family archives, recalls the importance of the links between the Villa and the “Fattorie”, farms that depended on the Villa and operated on the model of sharecropping.

In conclusion, the experts and researchers decided to present the further progress of this research during a study day to be held at the French Institute of Florence on February 9, 2018.

Palazzo Strozzi: “The Cinquecento in Florence” exhibition

September 30, 2017  |  Culture and Art, Florence  |  Comments Off on Palazzo Strozzi: “The Cinquecento in Florence” exhibition
Michelangelo River God at the exhibition "The Cinquecento in Florence" in Palazzo Strozzi Florence Italy

Michelangelo River God at the exhibition “The Cinquecento in Florence” in Palazzo Strozzi Florence Italy

The exhibition “The Cinquecento in Florence” that takes place in Palazzo Strozzi in Florence until 21 January 2018 and that celebrates the art of the 16th century in Florence should not be missed! Villa le Barone will be pleased to book tickets for you to admire this wonderful exhibition!

“The Cinquecento in Florence”, between Michelangelo, Pontormo and Giambologna that takes place in Palazzo Strozzi until 21st January 2018 is celebrating the art of the 16th century in Florence, an era of outstanding cultural and intellectual talent that was to spawn a heated debate between the “Modern Manner” and the “Counter-Reformation“after the Council of Trent, between the art sponsored by the Medici and the Church, between profane and sacred art. The exhibition showcases more than seventy works of art, sculptures and paintings. It opens with two absolute masterpieces, Michelangelo’s sculpture “River God” and Andrea Del Sarto’s painting “Pieta di Luco”, both of them reference work for other 16th century artists. It then develops comparisons between works of the early century, with for instance a unique juxtaposition between Pontormo’s Deposition (that can normally be seen in the San Felicita church in Florence), Rosso Fiorentino’s Deposition from the Cross ( normally exhibited in Voltera) and Bronzino’s Deposition from the Christ ,(a loan from the Besançon(‘s museum).

Pontormo- detail of "The deposition",  at the exhibition "The Cinquecento in Florence" in Palazzo Strozzi Florence Italy

Pontormo- detail of “The deposition”, at the exhibition “The Cinquecento in Florence” in Palazzo Strozzi Florence Italy

The exhibition continues with a chorus of styles by talented artists such as Giorgio Vasari, Jacopo Zucchi, Santi di Tito, Vincenzo Danti, Giambologna. It is possible to admire in particular the works sponsored by Francesco 1er de Medici for his small office in Palazzo Vecchio, or for the redecoration of the churches in Florence in order to bring them into line with the instances of the Council of Trent. The exhibition concludes with works announcing the Baroque era.
This stupendous exhibition has been curated by Carlo Falciani and Antonio Natali. Villa le Barone will be pleased to book tickets for you!

The 30th International Biennial Antique Fair in Florence

September 16, 2017  |  Culture and Art, Florence  |  Comments Off on The 30th International Biennial Antique Fair in Florence
Palazzo Corsini Biennale del Antiquariato Florence

Palazzo Corsini Biennale dell’Antiquariato Florence

The 30th International Biennial Antique Fair will be held in Florence from 23 September to 1st October 2017, and, at this occasion, you will also be able to visit in the Palazzo Larderel Via Tornabuoni the wonderful gallery of Brun Fine Art.

Florence, the Renaissance city internationally known for its monuments, paintings and works of art will host, from 23rd September to 1st October 2017, the 30th International Biennial Antique Fair (BIAF) in the magnificent Palazzo Corsini: 80 Italian and foreign galleries will present more than 3000 work of arts, paintings, sculptures, drawings, design furniture. All works exhibited are selected by a vetting commission to check their value and authenticity. Matteo Corvino, the Venetian interior designer has done the scenography to showcase the exhibition. And from the terrace of the Palazzo Corsini, one can enjoy a superb view on the Arno River.

Art at the Antiquarian Il Quadrifoglio Palazzo Larderel Via Tornabuoni Florence

Art at the Antiquarian Il Quadrifoglio, Palazzo Larderel Via Tornabuoni, Florence

One of the major antiquarian exhibiting in the Antique fair will be Brun fine Art a leading art gallery  collaborating with interior designers from all over the world such as Celeste Dell’Anna, on multiple projects both in Italy and in London or the studio Giorio Casa in Beijing. Brun Fine Art has galleries in London, Milan. In Florence in the Palazzo Larderel 19 Via Tornabuoni, the Gallery  normally accessible only on appointment , will be opened during the BIAF. The Palazzo Larderel is a beautiful Palace designed by Giovanni Antonio Dosio in the 15th century that, still today, is one of the most perfect examples of Florence architecture of that period.

Opera Festival in Florence

July 8, 2017  |  Culture and Art, Florence  |  Comments Off on Opera Festival in Florence
Heart Garden Terrace at hotel Villa le Barone Tuscany

Gardens of the Palazzo Corsini al Prato Florence

In the same spirit as the Glyndebourne festival, the New Generation Festival will take place in Florence in the wonderful gardens of the Corsini al Prato Palace.

Do you wish to take part in Florence’s version of « Glynbourne” close to Villa le Barone ? One of the most beautiful private gardens in Florence, at Palazzo Corsini, al Prato will exceptionally open its doors from 31st August to 3rd September for 2 extraordinary representations of the “Elisir d’Amore “ by Donizetti and for a superb concert given by the finest young musical talents, the “New Generation”.

There will be two performances of the opera “L’elisir d’amore”, starring rising Armenian soprano Anush Hovhannisyan, who has performed at the Royal Opera House and South African tenor Khanyiso Gwenxane, who recently gave his debut at the Royal Opera in Stockholm. During the three day festival, audiences will be able to see opera performances as well as orchestral pieces. Highlights of the concert include Bruch’s Violin Concerto No.1 with soloist Charlie Siem who has played with the London Symphony Orchestra and the Royal Philarmonic.

Heart Garden Terrace at hotel Villa le Barone Tuscany

Heart Garden Terrace at hotel Villa le Barone Tuscany

 

The Corsini al Prato garden is an Italian-style garden- bounded by large orangeries, with sophisticated, geometrical beds, box hedges, lemon trees in vases and a statue-lined main path that clearly reveals the Baroque-style orientation of the architect, Gherardo Silvani, and his love of scenography. It will be possible to dine during the intervals and to get a luxury hamper filled with Florentine specialties and delicious, local, seasonal food. Dress code will be black tie and long dress.
And after the performance you can come back in Panzano in Chianti and enjoy our gardens !

For more information contact us  or look here.

Table customs in Florence from Middle Age to Renaissance

May 12, 2017  |  Culture and Art, Florence  |  Comments Off on Table customs in Florence from Middle Age to Renaissance
Restaurant at Villa le Barone Tuscany

Restaurant at Villa le Barone Tuscany

Table customs and traditions have been often reflected in Western paintings. This is particularly true for paintings from the middle Ages to the Renaissance in Florence, which are a true chronicle of life at that time and show the evolution of table habits. You can admire these paintings in the museums and churches of Florence or Siena, and in the surroundings of Villa le Barone. Perhaps you will look at them with different eyes after having read this article! You will also appreciate the care with which the table is put today in Villa le Barone!

The artists were chroniclers of their time, and the various paintings of the Middle Ages to the Renaissance show the evolution of table customs in Tuscany at that time. It is in the representations of the evangelical episodes that table settings first appear, and especially in the Last Supper’s representations. For example, in the paintings of Giotto (1266-1337), Duccio di Buoninsegna (1255-1318), Maestro Pisano (1215-1284), the essential elements of a table in the Middle Ages can be seen: a simple white tablecloth, plates in front of the guests, a unique dish where one takes the food with the hand to bring it directly to the mouth, in the center of the table, a single knife with a wooden handle and a long blade, a few glasses. In the 15th century, with Domenico Ghirlandaio (1449-1494) and Leonardo da Vinci (1452-1519), the tablecloths are embroidered, there is a plate of metal for each guest. The spoon and the knife are the first table cutlery to appear on the table. The spoon was of wood, round, but its dimensions were reduced and it was given an oval shape. There was only one knife, used by all to cut the food, and the pieces were brought to the mouth with the hands. One of the first representations of the fork, born not as an individual cover, but to take the food in the common dish, can be found in the Abbey of Monte Olivetto (near Villa le Barone), in one fresco by Giovanni Bazzi detto il Sodoma (1477-1549). Over time, the functions of the tip of the knife will be filled by the fork, and this tip will always be more rounded and the blade less sharpened to avoid the negative impression of an offensive weapon. Note also that one wiped his mouth with the tablecloth, and the use of the napkin appears only at the end of the fifteenth century.

Fresco at the Abbey of Monte Olivetto Tuscany

Fresco at the Abbey of Monte Olivetto Tuscany

It was Catherine de Medici’s who introduced the use of the fork to the court of France. She would have said at a banquet in Fontainebleau in 1535 “Ladies and Gentlemen, you seize the meat in pieces with your fingers but grasping the meat with your fingers is considered improper and intolerable in the city from which I come,” and she showed a curious object with three pointed metal teeth: the fork.

Today table setting has been enriched, with different cutlery for each dish. The blade of the knife is rounded, it is less tapered, and it is oriented towards the plate, thus losing its offensive character. Whereas in France the forks are arranged points downwards, in Italy, as in England and the USA, they are arranged points in the air. This is how you will find your table put in the restaurant of the hotel Villa le Barone, with beautiful “Ginori” plates and all the necessary types of glasses to taste the exquisite wines of Chianti Classico!